Revelation 8: Summary and Commentary
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Revelation 8 has not been written up in our own words yet. Below are the notes on it from three commentaries — start with Tyndale, which is written in modern English for readers new to the Bible.
Where to go deeper on Revelation 8
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A free, modern, chapter-by-chapter commentary written by working pastors and scholars. The closest thing to a current study Bible you can read online at no cost.
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What the commentaries say about Revelation 8
Three commentaries, oldest last. Each is shown in full with its author and licence, and every scripture reference inside them links through to the verse.
Tyndale Open Study Notes on Revelation 8
Tyndale House Publishers, released openly in 2023
Short, plain-English notes written for people reading the Bible for the first time. They explain what a word meant to its original audience, why a detail is there, and where else in Scripture the same idea shows up. If you only read one set of notes on this page, read this one.
10 notes on Revelation 8
Verse 1
8:1 The opening of the seventh seal concludes the first act and dramatically initiates silence, which suggests the mystery of God in his dealings with the world (10:4; 1 Kgs 19:11-12). Perhaps the mysterious silence here is analogous to God’s rest on the seventh day of creation (Gen 2:1-3; see also Heb 4:1-11). • half an hour: This brief hush precedes the unfolding of the second act of divine judgment when God will answer the prayers of his people.
Verse 6
8:2–11:19 The second cycle of judgments is structured around seven trumpets. Like the first cycle (6:1–8:1), this one contains an interlude (10:1–11:14; cp. 7:1-17) and ends with a glimpse of God’s eternal Kingdom (11:15-19; see 7:9–8:1). • The trumpet judgments are reminiscent of the ten plagues of Egypt (Exod 7:14–11:10) and have the same purpose—to show the powerlessness of earthly gods (or satanic powers) and to demonstrate beyond doubt the power and sovereignty of God.
Verse 2
8:2-6 This scene of preparation in heaven introduces the seven trumpets of judgment and continues the theme of God’s receiving and answering prayer (5:8; 6:9-11).
8:2 The dramatic sounding of trumpets by angels heralds an approaching end (see Isa 27:13; Zech 9:14; Matt 24:31; 1 Cor 15:52; 1 Thes 4:16).
Verse 3
8:3-4 The prayers of God’s people ask for God’s ultimate justice and judgment (6:10-11; see also 5:8; Ezra 9:5-6; Ps 141:2; Dan 9:21). The mixture of incense and prayers that reaches God’s presence shows that God hears their prayers (see Rev 6:9-11) and is prepared to act.
Verse 5
8:5 The action of the angel, as he throws fire . . . down upon the earth, signals the dramatic beginning of God’s judgment (see Gen 19:24; Exod 9:23; Lev 10:2; Deut 9:3; 2 Kgs 1:10). • thunder . . . lightning . . . earthquake: These earthly portents remind us of God’s power, presence, and judgment (also Rev 11:19; 16:18; see Exod 19:18-19; 1 Kgs 19:11-12; Isa 29:6).
Verse 7
8:7-12 Each of the first four trumpets affects one-third of its target (see Ezek 5:1-4, 12; Zech 13:8). The point is not to convey an exact measurement; instead, it indicates that God’s judgment on the earth is beginning but has not reached its zenith. Together, the first four trumpets form a unified message of judgment on the whole physical world (as with Rev 6:1-8).
8:7 Hail and fire mixed with blood signal the destruction of plant life, as did the seventh plague on Egypt (see Exod 9:13-35; Joel 2:31; Acts 2:19). • all the green grass was burned: Nothing escapes God’s judgment. • This vision need not be harmonized with Rev 9:4 because each scene is self-contained and communicates its own message.
Verse 8
8:8-9 water . . . became blood: This judgment is similar to the first plague on Egypt (see Exod 7:14-25; Ps 78:44). • The mountain of fire suggests something similar to the eruption of Mount Vesuvius in AD 79 that brought bloody destruction to ships and sea life (see Pliny the Younger, Letters 6.16.1-22).
Verse 10
8:10-11 The star named Bitterness (literally wormwood, a shrubby plant yielding a bitter extract) is symbolic rather than physical. Bitter water is connected with judgment from early in Israel’s national experience (Exod 15:22-26; Num 5:18; Jer 9:13-16; 23:15). The message is that wide-scale judgment has begun.
Verse 12
8:12 the fourth angel: On the fourth day of creation, God made the sun . . . the moon, and . . . the stars (Gen 1:14-19). • the day was dark: This judgment replicates the ninth plague in Egypt (Exod 10:21-23).
Verse 13
8:13 The ancients regarded the eagle as a symbolic messenger of God (see 4 Ezra 11:7-8; 2 Baruch 77:19-26). • Terror, terror, terror: A threefold announcement would be recognized as a message from God (see Acts 10:16). • The terror (Greek ouai) that sounded like an eagle’s screech was directed against humans of this world who were not among God’s faithful people (Rev 6:10; 9:4, 20).
Tyndale Open Study Notes © Tyndale House Publishers, licensed under CC BY-SA 4.0. Reformatted for the web by BibleHearth; wording unchanged. CC BY-SA 4.0 · Read the original
Matthew Henry's Commentary on the Whole Bible on Revelation 8
Matthew Henry, 1706–1714
A pastor writing for his own congregation three hundred years ago. Henry is less interested in historical background than in what a chapter asks of the person reading it, which is why he is still quoted in sermons today. He is warm, direct, and unafraid to apply a text to you.
Before you start: Written in the early 1700s. The sentences are long and some words have shifted meaning since — "conversation" means how a person lives, "want" means to lack something. Read it slowly; it rewards that.
Chapter overview and 2 notes on Revelation 8
What this chapter is doing
We have already seen what occurred upon opening six of the seals; we now come to the opening of the seventh, which introduced the sounding of the seven trumpets; and a direful scene now opens. Most expositors agree that the seven seals represent the interval between the apostle's time and the reign of Constantine, but that the seven trumpets are designed to represent the rise of antichrist, some time after the empire became Christian. In this chapter we have, I. The preface, or prelude, to the sounding of the trumpets (Rev 8:1-6). II. The sounding of four of the trumpets (Rev 8:7, etc.).
Verse 1
In these verses we have the prelude to the sounding of the trumpets in several parts.
I. The opening of the last seal. This was to introduce a new set of prophetical iconisms and events; there is a continued chain of providence, one part linked to another (where one ends another begins), and, though they may differ in nature and in time, they all make up one wise, well-connected, uniform design in the hand of God.
II. A profound silence in heaven for the space of half an hour, which may be understood either, 1. Of the silence of peace, that for this time no complaints were sent up to the ear of the Lord God of sabaoth; all was quiet and well in the church, and therefore all silent in heaven, for whenever the church on earth cries, through oppression, that cry comes up to heaven and resounds there; or, 2. A silence of expectation; great things were upon the wheel of providence, and the church of God, both in heaven and earth, stood silent, as became them, to see what God was doing, according to that of Zac 2:13, Be silent, O all flesh, before the Lord, for he has risen up out of his holy habitation. And elsewhere, Be still, and know that I am God.
III. The trumpets were delivered to the angels who were to sound them. Still the angels are employed as the wise and willing instruments of divine Providence, and they are furnished with all their materials and instructions from God our Saviour. As the angels of the churches are to sound the trumpet of the gospel, the angels of heaven are to sound the trumpet of Providence, and every one has his part given him.
IV. To prepare for this, another angel must first offer incense, Rev 8:3. It is very probable that this other angel is the Lord Jesus, the high priest of the church, who is here described in his sacerdotal office, having a golden censer and much incense, a fulness of merit in his own glorious person, and this incense he was to offer up, with the prayers of all the saints, upon the golden altar of his divine nature. Observe, 1. All the saints are a praying people; none of the children of God are born dumb, a Spirit of grace is always a Spirit of adoption and supplication, teaching us to cry, Abba, Father. Psa 32:6, For this shall every one that is godly pray unto thee. 2. Times of danger should be praying times, and so should times of great expectation; both our fears and our hopes should put us upon prayer, and, where the interest of the church of God is deeply concerned, the hearts of the people of God in prayer should be greatly enlarged. 3. The prayers of the saints themselves stand in need of the incense and intercession of Christ to make them acceptable and effectual, and there is provision made by Christ for that purpose; he has his incense, his censer, and his altar; he is all himself to his people. 4. The prayers of the saints come up before God in a cloud of incense; no prayer, thus recommended, was ever denied audience or acceptance. 5. These prayers that were thus accepted in heaven produced great changes upon earth in return to them; the same angel that in his censer offered up the prayers of the saints in the same censer took of the fire of the altar, and cast it into the earth, and this presently caused strange commotions, voices, and thunderings, and lightnings, and an earthquake; these were the answers God gave to the prayers of the saints, and tokens of his anger against the world and that he would do great things to avenge himself and his people of their enemies; and now, all things being thus prepared, the angels discharge their duty.
Verse 7
Observe, I. The first angel sounded the first trumpet, and the events which followed were very dismal: There followed hail and fire mingled with blood, etc., Rev 8:7. There was a terrible storm; but whether it is to be understood of a storm of heresies, a mixture of monstrous errors falling on the church (for in that age Arianism prevailed), or a storm or tempest of war falling on the civil state, expositors are not agreed. Mr. Mede takes it to be meant of the Gothic inundation that broke in upon the empire in the year 395, the same year that Theodosius died, when the northern nations, under Alaricus, king of the Goths, broke in upon the western parts of the empire. However, here we observe, 1. It was a very terrible storm-fire, and hail, and blood: a strange mixture! 2. The limitation of it: it fell on the third part of the trees, and on the third part of the grass, and blasted and burnt it up; that is, say some, upon the third part of the clergy and the third part of the laity; or, as others who take it to fall upon the civil state, upon the third part of the great men, and upon the third part of the common people, either upon the Roman empire itself, which was a third part of the then known world, or upon a third part of that empire. The most severe calamities have their bounds and limits set them by the great God.
II. The second angel sounded, and the alarm was followed, as in the first, with terrible events: A great mountain burning with fire was cast into the sea; and the third part of the sea became blood, Rev 8:8. By this mountain some understand the leader or leaders of the heretics; others, as Mr. Mede, the city of Rome, which was five times sacked by the Goths and Vandals, within the compass of 137 years; first by Alaricus, in the year 410, with great slaughter and cruelty. In these calamities, a third part of the people (called here the sea or collection of waters) were destroyed: here was still a limitation to the third part, for in the midst of judgment God remembers mercy. This storm fell heavy upon the maritime and merchandizing cities and countries of the Roman empire.
III. The third angel sounded, and the alarm had the like effects as before: There fell a great star from heaven, etc., Rev 8:10. Some take this to be a political star, some eminent governor, and they apply it to Augustulus, who was forced to resign the empire to Odoacer, in the year 480. Others take it to be an ecclesiastical star, some eminent person in the church, compared to a burning lamp, and they fix it upon Pelagius, who proved about this time a falling star, and greatly corrupted the churches of Christ. Observe, 1. Where this star fell: Upon a third part of the rivers, and upon the fountains of waters. 2. What effect it had upon them; it turned those springs and streams into wormwood, made them very bitter, that men were poisoned by them; either the laws, which are springs of civil liberty, and property, and safety, were poisoned by arbitrary power, or the doctrines of the gospel, the springs of spiritual life, refreshment, and vigour to the souls of men, were so corrupted and embittered by a mixture of dangerous errors that the souls of men found their ruin where they sought for their refreshment.
IV. The fourth angel sounded, and the alarm was followed with further calamities. Observe, 1. The nature of this calamity; it was darkness; it fell therefore upon the great luminaries of the heaven, that give light to the world - the sun, and the moon, and the stars, either the guides and governors of the church, or of the state, who are placed in higher orbs than the people, and are to dispense light and benign influences to them. 2. The limitation: it was confined to a third part of these luminaries; there was some light both of the sun by day, and of the moon and stars by night, but it was only a third part of what they had before. Without determining what is matter of controversy in these points among learned men, we rather choose to make these plain and practical remarks: - (1.) Where the gospel comes to a people, and is but coldly received, and has not its proper effects upon their hearts and lives, it is usually followed with dreadful judgments. (2.) God gives warning to men of his judgments before he sends them; he sounds an alarm by the written word, by ministers, by men's own consciences, and by the signs of the times; so that, if a people be surprised, it is their own fault. (3.) The anger of God against a people makes dreadful work among them; it embitters all their comforts, and makes even life itself bitter and burdensome. (4.) God does not in this world stir up all his wrath, but sets bounds to the most terrible judgments. (5.) Corruptions of doctrine and worship in the church are themselves great judgments, and the usual causes and tokens of other judgments coming on a people.
V. Before the other three trumpets are sounded here is solemn warning given to the world how terrible the calamities would be that should follow them, and how miserable those times and places would be on which they fell, Rev 8:13. 1. The messenger was an angel flying in the midst of heaven, as in haste, and coming on an awful errand. 2. The message was a denunciation of further and greater woe and misery than the world had hitherto endured. Here are three woes, to show how much the calamities coming should exceed those that had been already, or to hint how every one of the three succeeding trumpets should introduce its particular and distinct calamity. If less judgments do not take effect, but the church and the world grow worse under them, they must expect greater. God will be known by the judgments that he executes; and he expects, when he comes to punish the world, the inhabitants thereof should tremble before him.
Matthew Henry's Commentary on the Whole Bible (Matthew Henry, 1706–1714). Public domain. Reformatted for the web by BibleHearth; wording unchanged. Public domain · Read the original
Jamieson-Fausset-Brown Bible Commentary on Revelation 8
Robert Jamieson, A. R. Fausset and David Brown, 1871
Three Scottish scholars working phrase by phrase through the whole Bible. Where a translation had to choose one English wording, they tell you what the Hebrew or Greek actually says and what the alternatives were. Useful when you want to know why two Bibles word the same verse differently.
Before you start: Written in 1871 and organised around short quoted phrases followed by a dash, then the explanation. It reads more like reference notes than prose, and it assumes you have the verse in front of you.
Chapter overview and 12 notes on Revelation 8
What this chapter is doing
SEVENTH SEAL. PREPARATION FOR THE SEVEN TRUMPETS. THE FIRST FOUR AND THE CONSEQUENT PLAGUES. (Rev 8:1-13)
was—Greek, "came to pass"; "began to be."
silence in heaven about . . . half an hour—The last seal having been broken open, the book of God's eternal plan of redemption is opened for the Lamb to read to the blessed ones in heaven. The half hour's silence contrasts with the previous jubilant songs of the great multitude, taken up by the angels (Rev 7:9-11). It is the solemn introduction to the employments and enjoyments of the eternal Sabbath-rest of the people of God, commencing with the Lamb's reading the book heretofore sealed up, and which we cannot know till then. In Rev 10:4, similarly at the eve of the sounding of the seventh trumpet, when the seven thunders uttered their voices, John is forbidden to write them. The seventh trumpet (Rev 11:15-19) winds up God's vast plan of providence and grace in redemption, just as the seventh seal brings it to the same consummation. So also the seventh vial, Rev 16:17. Not that the seven seals, the seven trumpets, and the seven vials, though parallel, are repetitions. They each trace the course of divine action up to the grand consummation in which they all meet, under a different aspect. Thunders, lightnings, an earthquake, and voices close the seven thunders and the seven seals alike (compare Rev 8:5, with Rev 11:19). Compare at the seventh vial, the voices, thunders, lightnings, and earthquake, Rev 16:18. The half-hour silence is the brief pause GIVEN TO JOHN between the preceding vision and the following one, implying, on the one hand, the solemn introduction to the eternal sabbatism which is to follow the seventh seal; and, on the other, the silence which continued during the incense-accompanied prayers which usher in the first of the seven trumpets (Rev 8:3-5). In the Jewish temple, musical instruments and singing resounded during the whole time of the offering of the sacrifices, which formed the first part of the service. But at the offering of incense, solemn silence was kept ("My soul waiteth upon God," Psa 62:1; "is silent," Margin; Psa 65:1, Margin), the people praying secretly all the time. The half-hour stillness implies, too, the earnest adoring expectation with which the blessed spirits and the angels await the succeeding unfolding of God's judgments. A short space is implied; for even an hour is so used (Rev 17:12; Rev 18:10, Rev 18:19).
Verse 2
the seven angels—Compare the apocryphal Tobit 12:15, "I am Raphael, one of the seven holy angels which present the prayers of the saints, and which go in and out before the glory of the Holy One." Compare Luk 1:19, "I am Gabriel, that stand in the presence of God."
stood—Greek, "stand."
seven trumpets—These come in during the time while the martyrs rest until their fellow servants also, that should be killed as they were, should be fulfilled; for it is the inhabiters of the earth on whom the judgments fall, on whom also the martyrs prayed that they should fall (Rev 6:10). All the ungodly, and not merely some one portion of them, are meant, all the opponents and obstacles in the way of the kingdom of Christ and His saints, as is proved by Rev 11:15, Rev 11:18, end, at the close of the seven trumpets. The Revelation becomes more special only as it advances farther (Rev. 13:1-18; Rev 16:10; Rev 17:18). By the seven trumpets the world kingdoms are overturned to make way for Christ's universal kingdom. The first four are connected together; and the last three, which alone have Woe, woe, woe (Rev 8:7-13).
Verse 3
another angel—not Christ, as many think; for He, in Revelation, is always designated by one of His proper titles; though, doubtless, He is the only true High Priest, the Angel of the Covenant, standing before the golden altar of incense, and there, as Mediator, offering up His people's prayers, rendered acceptable before God through the incense of His merit. Here the angel acts merely as a ministering spirit (Heb 1:4), just as the twenty-four elders have vials full of odors, or incense, which are the prayers of saints (Rev 5:8), and which they present before the Lamb. How precisely their ministry, in perfuming the prayers of the saints and offering them on the altar of incense, is exercised, we know not, but we do know they are not to be prayed TO. If we send an offering of tribute to the king, the king's messenger is not allowed to appropriate what is due to the king alone.
there was given unto him—The angel does not provide the incense; it is given to him by Christ, whose meritorious obedience and death are the incense, rendering the saints' prayers well pleasing to God. It is not the saints who give the angel the incense; nor are their prayers identified with the incense; nor do they offer their prayers to him. Christ alone is the Mediator through whom, and to whom, prayer is to be offered.
offer it with the prayers—rather as Greek, "give it TO the prayers," so rendering them efficacious as a sweet-smelling savor to God. Christ's merits alone can thus incense our prayers, though the angelic ministry be employed to attach this incense to the prayers. The saints' praying on earth, and the angel's incensing in heaven, are simultaneous.
all saints—The prayers both of the saints in the heavenly rest, and of those militant on earth. The martyrs' cry is the foremost, and brings down the ensuing judgments.
golden altar—antitype to the earthly.
Verse 4
the smoke . . . which came with the prayers . . . ascended up—rather, "the smoke of the incense FOR (or 'given TO': 'given' being understood from Rev 8:3) the prayers of the saints ascended up, out of the angel's hand, in the presence of Gods" The angel merely burns the incense given him by Christ the High Priest, so that its smoke blends with the ascending prayers of the saints. The saints themselves are priests; and the angels in this priestly ministration are but their fellow servants (Rev 19:10).
Verse 5
cast it into the earth—that is, unto the earth: the hot coals off the altar cast on the earth, symbolize God's fiery judgments about to descend on the Church's foes in answer to the saints' incense-perfumed prayers which have just ascended before God, and those of the martyrs. How marvellous the power of the saints' prayers!
there were—"there took place," or "ensued."
voices, and thunderings, and lightnings—B places the "voices" after "thunderings." A places it after "lightnings."
Verse 6
sound—blow the trumpets.
Verse 7
The common feature of the first four trumpets is, the judgments under them affect natural objects, the accessories of life, the earth, trees, grass, the sea, rivers, fountains, the light of the sun, moon, and stars. The last three, the woe-trumpets (Rev 8:13), affect men's life with pain, death, and hell. The language is evidently drawn from the plagues of Egypt, five or six out of the ten exactly corresponding: the hail, the fire (Exo 9:24), the WATER turned to blood (Exo 7:19), the darkness (Exo 10:21), the locusts (Exo 10:12), and perhaps the death (Rev 9:18). Judicial retribution in kind characterizes the inflictions of the first four, those elements which had been abused punishing their abusers.
mingled with—A, B, and Vulgate read, Greek, ". . . IN blood." So in the case of the second and third vials (Rev 16:3-4).
upon the earth—Greek, "unto the earth." A, B, Vulgate, and Syriac add, "And the third of the earth was burnt up." So under the third trumpet, the third of the rivers is affected: also, under the sixth trumpet, the third part of men are killed. In Zac 13:8-9 this tripartite division appears, but the proportions reversed, two parts killed, only a third preserved. Here, vice versa, two-thirds escape, one-third is smitten. The fire was the predominant element.
all green grass—no longer a third, but all is burnt up.
Verse 8
as it were—not literally a mountain: a mountain-like burning mass. There is a plain allusion to Jer 51:25; Amo 7:4.
third part of the sea became blood—In the parallel second vial, the whole sea (not merely a third) becomes blood. The overthrow of Jericho, the type of the Antichristian Babylon, after which Israel, under Joshua (the same name as Jesus), victoriously took possession of Canaan, the type of Christ's and His people's kingdom, is perhaps alluded to in the SEVEN trumpets, which end in the overthrow of all Christ's foes, and the setting up of His kingdom. On the seventh day, at the seventh time, when the seven priests blew the seven ram's horn trumpets, the people shouted, and the walls fell flat: and then ensued the blood-shedding of the foe. A mountain-like fiery mass would not naturally change water into blood; nor would the third part of ships be thereby destroyed.
Verse 9
The symbolical interpreters take the ships here to be churches. For the Greek here for ships is not the common one, but that used in the Gospels of the apostolic vessel in which Christ taught: and the first churches were in the shape of an inverted ship: and the Greek for destroyed is also used of heretical corruptings (Ti1 6:5).
Verse 10
a lamp—a torch.
Verse 11
The symbolizers interpret the star fallen from heaven as a chief minister (ARIUS, according to BULLINGER, BENGEL, and others; or some future false teacher, if, as is more likely, the event be still future) falling from his high place in the Church, and instead of shining with heavenly light as a star, becoming a torch lit with earthly fire and smouldering with smoke. And "wormwood," though medicinal in some cases, if used as ordinary water would not only be disagreeable to the taste, but also fatal to life: so "heretical wormwood changes the sweet Siloas of Scripture into deadly Marahs" [WORDSWORTH]. Contrast the converse change of bitter Marah water into sweet, Exo 15:23. ALFORD gives as an illustration in a physical point of view, the conversion of water into firewater or ardent spirits, which may yet go on to destroy even as many as a third of the ungodly in the latter days.
Verse 12
third part—not a total obscuration as in the sixth seal (Rev 6:12-13). This partial obscuration, therefore, comes between the prayers of the martyrs under the fifth seal, and the last overwhelming judgments on the ungodly under the sixth seal, at the eve of Christ's coming.
the night likewise—withdrew a third part of the light which the bright Eastern moon and stars ordinarily afford.
Verse 13
an angel—A, B, Vulgate, Syriac, and Coptic read for "angel," which is supported by none of the oldest manuscripts, "an eagle": the symbol of judgment descending fatally from on high; the king of birds pouncing on the prey. Compare this fourth trumpet and the flying eagle with the fourth seal introduced by the fourth living creature, "like a flying eagle," Rev 4:7; Rev 6:7-8 : the aspect of Jesus as presented by the fourth Evangelist. John is compared in the cherubim (according to the primitive interpretation) to a flying eagle: Christ's divine majesty in this similitude is set forth in the Gospel according to John, His judicial visitations in the Revelation of John. Contrast "another angel," or messenger, with "the everlasting Gospel," Rev 14:6.
through the midst of heaven—Greek, "in the mid-heaven," that is, in the part of the sky where the sun reaches the meridian: in such a position as that the eagle is an object conspicuous to all.
the inhabiters of the earth—the ungodly, the "men of the world," whose "portion is in this life," upon whom the martyrs had prayed that their blood might be avenged (Rev 6:10). Not that they sought personal revenge, but their zeal was for the honor of God against the foes of God and His Church.
the other—Greek, "the remaining voices."
Next: Revelation Chapter 9
Jamieson-Fausset-Brown Bible Commentary (Robert Jamieson, A. R. Fausset and David Brown, 1871). Public domain. Reformatted for the web by BibleHearth; wording unchanged. Public domain · Read the original