Song of Songs 6: Summary and Commentary

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Song of Songs 6 has not been written up in our own words yet. Below are the notes on it from three commentaries — start with Tyndale, which is written in modern English for readers new to the Bible.

What the commentaries say about Song of Songs 6

Three commentaries, oldest last. Each is shown in full with its author and licence, and every scripture reference inside them links through to the verse.

Tyndale Open Study Notes on Song of Songs 6

Short, plain-English notes written for people reading the Bible for the first time. They explain what a word meant to its original audience, why a detail is there, and where else in Scripture the same idea shows up. If you only read one set of notes on this page, read this one.

8 notes on Song of Songs 6

Verse 1

6:1-3 The conversation that ends this poem indicates that it is not an actual event. The dream ends as the young women of Jerusalem ask the woman where her man has gone. The woman tells them not to concern themselves with finding him—he is back in bed with her, enjoying his garden with its spice beds and lilies, a description of sexual intimacy.

Verse 4

6:4-10 The man again describes the physical beauty of the woman. He repeats parts of the description from ch 4 almost verbatim, showing the same high regard for his wife.

6:4 Tirzah was a city-state as early as Joshua’s time; it eventually became great enough to be the capital of the northern kingdom (Josh 12:24; 1 Kgs 15:33). The town’s name means “pleasant.” • Jerusalem was the capital of David’s and Solomon’s united kingdom and after that, the most important city of Judah.

Verse 8

6:8-9 If the Song were an allegory of the Lord’s love for his people, it would provide a very weak parallel, since Solomon’s excesses in marrying do a poor job of picturing God’s love and faithfulness (see 1 Kgs 11:1-13). • sixty queens: Many of Solomon’s wives were obtained by marrying into international treaties (see 1 Kgs 11:1-3, 8). • Concubines were wives who had secondary status, lower than a wife but higher than a slave. Concubines were acquired by war, debt repayment, or purchase. • In the anthology view, the reference to queens and concubines simply means that the woman herself is more desirable than all other women.

Verse 9

6:9 sing her praises: Literally called her blessed. If the Song is a drama, the woman has left Solomon’s harem, and the singing took place in the past, when the woman was still there.

Verse 10

6:10 The poem ends as it began in 6:4: The woman’s majesty, like an army with billowing banners in full display, makes the knees knock and the heart flutter.

Verse 11

6:11 I went down: There is ambiguity over who is speaking here. The NLT presents it as the beginning of the young woman’s speech, though it could just as plausibly be a continuation of the young man’s. The trip to the walnut grove is a poetic way of expressing desire for a romantic meeting.

Verse 12

6:12 to the chariot of a noble man: Desire leads to the union of the man and the woman. There may be support here for Solomon being the husband, though this description could be a metaphor for the joys of romance (cp. 1:16-17).

Verse 13

6:13–7:9 An interaction between the young women of Jerusalem and the man introduces his last major description of the woman’s beauty and his desire to hold her (see study note on 4:1–5:1).

6:13 Return: Or turn around. • Shulam: The place is not known, though some have identified it with Shunem (1 Kgs 1:3; 2 Kgs 4:11-12). Maid of Shulam (Hebrew shulammith) might be a wordplay on the name Solomon (Hebrew shelomoh). It would then be equivalent to saying “Solomon’s maiden.” • as she moves so gracefully between two lines of dancers? The man praises the woman’s grace and beauty to everyone.

Tyndale Open Study Notes © Tyndale House Publishers, licensed under CC BY-SA 4.0. Reformatted for the web by BibleHearth; wording unchanged. CC BY-SA 4.0 · Read the original

Jamieson-Fausset-Brown Bible Commentary on Song of Songs 6

Three Scottish scholars working phrase by phrase through the whole Bible. Where a translation had to choose one English wording, they tell you what the Hebrew or Greek actually says and what the alternatives were. Useful when you want to know why two Bibles word the same verse differently.

Before you start: Written in 1871 and organised around short quoted phrases followed by a dash, then the explanation. It reads more like reference notes than prose, and it assumes you have the verse in front of you.

Chapter overview of Song of Songs 6

What this chapter is doing

Historically, at Jesus Christ's crucifixion and burial, Joseph of Arimathea, and Nicodemus, and others, joined with His professed disciples. By speaking of Jesus Christ, the bride does good not only to her own soul, but to others (see on Sol 1:4; Mal 3:16; Mat 5:14-16). Compare the hypocritical use of similar words (Mat 2:8).

Jamieson-Fausset-Brown Bible Commentary (Robert Jamieson, A. R. Fausset and David Brown, 1871). Public domain. Reformatted for the web by BibleHearth; wording unchanged. Public domain · Read the original

Where to go deeper on Song of Songs 6

Both of these are free to read and neither can be reproduced here — The Gospel Coalition and BibleProject keep their work under their own copyright. They are worth the click, especially if you are new to reading the Bible.